Modal Operators*
by Steve Andreas
©2000
With the multitude of specific
patterns and general understandings that have been developed in the
field of NLP over the past 25 years, it is useful to recall that the
root and foundation of it all is in the Meta-model. I have often heard
Richard Bandler say that those who who really understand the Meta-model
are those who use the NLP methods with a high degree of skill and precision.
Over the years I have often
seen the usefulness of returning to an old distinction and reexamining
it to see what else can be learned. In the late 1970’s, submodalities
were used simply as ways to enrich a description of an experience. In
the early 1980’s, submodalities were recharacterized as basic
parameters of our internal experiencing, and, like accessing cues, also
ways to alter that experiencing directly. This insight resulted in the
plethora of powerful submodalities interventions available today.
In the late 1980’s,
Connirae Andreas reexamined the three perceptual positions, and found
a detailed way to align and organize the chaos of our internal experiencing
of ourselves and others in relationships. Aligning Perceptional Positions is a very
gentle, yet powerful, way to directly clarify our relating with others,
and to develop understanding and compassion for both ourselves and others.
In retrospect, this process uses many small and subtle differences in
the submodality of location to achieve this.
There are nine fundamental
distinctions in the Meta-model (Can you name
them all?), and one of them is called Modal Operator. Recently I have
been reexamining
them and have gained some useful understandings. Rather than
simply present them (and make it very likely that readers would simply
accept them, instead
of finding ways to question them or improve on them) I
thought it would be more interesting to pose some questions to point
the reader's thinking in some of the directions that I have been exploring.
I have often benefited
from asking questions and finding out that other’s answers were
considerably better than my own. (On occasion I have even asked questions
that seemed likely to produce interesting answers, even though I had
no useful answers yet.) I
hope that this can be an opportunity for readers to follow these leads
into some interesting discoveries.
I invite you to follow
the leads in the questions below. The best source for answers will be
in your own experience. I further invite you to respond to me by email
or snail mail with what you find. A follow-up article will appear in
a future issue of Anchor Point.
Modal Operators (MO)s
1. What are they anyway?
What do they do, and how do they work?
2. How many kinds, or categories
of MO are there, and what would you name each kind?
3. How are they linked
to, or related to, each other? (I have found two major ways, one inherent,
and one that is optional.
4. What kind of motivation
is indicated by each MO?
5. How can each kind of
MO be understood as indicating a specific kind of incongruence?
6. What kinds of incongruence
is indicated by a person when they use one kind of MO verbally and express
a different one nonverbally?
7. How it can be useful
to change a person's experience by suggesting replacing one modal operator
with another, and why is it useful?
8. What MO is operating
in an experience of complete and total congruence?
9. What
else can you predict about a person's experience when they
use a MO?
Enjoy!
*Originally published in
Anchor Point, Vol. 14, No. 1, January, p. 22.
Modal Operators**
by Steve Andreas
©2001
In
the January, 2000 issue, I pointed out that the meta-model was the foundation
and origin of NLP. All the many specific methods and techniques that
have been developed over the last 25 years have evolved out of asking
questions based on it, and it still remains a foundational understanding
for the entire field. I also discussed the value of returning to old
distinctions to reexamine them to see what more can be learned from
them, and gave two examples, submodalities and aligning perceptual positions.
Finally,
I posed a set of questions about modal operators, one of the distinctions
in the meta-model, and invited readers to respond to them. I think it
is curious (but perhaps not too surprising) that despite so many people
teaching modeling, and claiming to be modelers, I got only two responses.
And it is much easier to answer questions than it is to figure out what
questions to ask!
Here again are the questions (in italics), and my answers (not the answers).
Ultimately the answer is in your own experience. The words that follow
are my best attempt to point to your experience, and offer you ways
to think about it, organize it, and expand it. I hope that you will
find it useful. I'm sure that that this can, and will be, improved on,
and I welcome suggestions for additions, reformulations, etc.
Modal Operators (MO)s
1. What are they anyway? What do they do, and how do they work?
A MO is mode of operating, a way of being in the world and
relating to part of it, or all of it. A MO is a verb that modifies another
verb, so it is always followed by another verb. I have to work.
I can become successful.
Since a verb always describes an activity or process, a MO is a verb
that modifies how an activity is done. A MO functions in the same way
that an adverb does, and perhaps should be called an adverb. An adverb
sometimes precedes the verb that is modified, and sometimes follows
it, while a MO always precedes it, and this is part of the power of
a MO. A MO sets a general orientation or global direction before we
know what the activity is. Often a person says simply, I can't,
or I want to, since the content is specified by the context.
However, since the words themselves do not specify a content or context,
it is very easy to generalize the statement to a wide range of content/contexts.
A MO modulates our experience of much (or all) of what we do in very
important ways. Think of any simple neutral activity, and describe it
in a brief phrase, such as looking out the window. Next
say the following sentences to yourself, and become aware of your experience
of each of them, noticing how your experience changes with each sentence,
particularly where your attention goes, and how you feel:
I want to look out the window.
I have to look out the window.
I can look out the window.
I choose to look out the window.
The mode of operating in the first is to be pulled toward
the activity, with a sense of pleasure and anticipation. The mode
of operating in the second is to be pushed toward it, usually
from behind, and usually also with some sense of not wanting to do it.
(Thanks to John McWhirter for pointing out this push/pull parameter
of motivation.)
The last two are somewhat different; Can simply directs
your attention to alternate avenues of possibility. In addition to looking
out the window, other possible directions get my attention. Choose
presupposes these alternatives, focusing more on the internal experience
of selecting between the alternatives.
2. How many kinds,
or categories of MO are there, and what would you name each kind?
I would list the four
categories below, grouped into two pairs (with examples):
Motivation: The first
two have to do with being motivated.
a. Necessity: should, must, have to,
etc.
b. Desire: wish, want, need,etc.
Options: The second two have to do with options that can be chosen in
order to satisfy the motivation.
c. Possibility: can, able to, capable,
etc.
d. Choice: choose, select, decide,
etc.
Desire and/or necessity motivates us to act and change, and possibility
and/or choice makes this possible. Grouped in this way, one can readily
notice that people most often begin with motivation, and then search
for options. Starting with options, and then testing for which ones
are desirable is much less frequent.
Take a moment to experience this basic difference. Imagine for a moment
that you always started with motivation and then scanned options. .
. .
Now imagine that you always started by scanning options, and then tested
for motivation. Those are very different worlds. . . .
MOs of necessity and (im)possibility are the ones given most emphasis
in many NLP trainings, because very frequently they are the basis for
significant limitations. People often feel stuck and trapped by have
to's, and limited by cant's, and these are the most
obvious kinds of limiting beliefs that people have.
MOs
of desire and choice are often de-emphasized, or even ignored, but they
are equally important, and they are a mirror-image to necessity and
impossibility. For instance. when someone experiences a have to,
usually it is unpleasant, and s/he wants to have other choices. Put
another way, have to and not possible are equivalent
to not possible to choose other more desired alternatives.
Importance:
Since choosing between alternative possibilities, in alignment with
our needs and desires, is fundamental to our survival and happiness,
any limitation or reduction in these abilities will significantly limit
our ability to live well. Every belief in our capabilities will have
a MO in it, and many limitations will have either a MO of necessity
or a negation of another MO.
This
is the kind of difference that MOs not only describe, but also create
as we talk to ourselves internally. It can be the crucial difference
between someone who lives a life feeling as if they are an incapable,
helpless victim of events, and one who experiences a world full
of anticipation and opportunities for satisfaction of needs and desires.
Working
at the level of MOs, and the beliefs that they are embedded in, is usually
at a considerably larger chunk size than working at the content level
of a particular limitation, and because of this, any changes that are
made will generalize much more widely.
Intensity:
Each of these categories includes different words that express various
degrees of intensity--even though people often limit themselves by reducing
this wide spectrum to a crude either/or digital distinction. In addition
to the words used in each category, the nonverbal intonation can also
indicate the degree of intensity, and this nonverbal message is often
much more dependable than the words.
a.
Necessity has a relatively narrow range of intensity, but there is a
definite difference between absolutely must and should,
or ought to. Since many people think they should
do things that they seldom or never actually do, there are necessities
that are less than absolute.
b.
Desire has perhaps the widest range of intensity, ranging from a faint
inclination to smoking lust!
c.
Possibility is not a digital either/or distinction as it is often taught,
(possible/impossible) but can vary through a wide range, from very likely
(nearly certain) to very unlikely, (improbable, but still possible).
d.
Choice, too, can be artificially reduced to a simple limiting either/or
(and there are a few circumstances in which this is perhaps an accurate
description of the situation). But usually there is a wide range of
choices, a multiplicity of options, not only of what to do, but of how
to do it, where to do it, when to do it, with whom to do it, and why
to do it.
3. How are they linked
to, or related to, each other? (I have found two major ways, one inherent,
and one that is optional.)
Inherent
linkage. Choice and necessity both presuppose possibility, but desire
does not. It is ridiculous to say that a person can choose or must do
something that is impossible.
This
inherent linkage can be quite useful. For instance, sometimes a person
is tortured by thinking that they should do or choose something which
is actually not possible for them--at least at the moment--but they
don't realize the logical contradiction.
To
work with this situation, first you can pace the should,
or the choose and even strengthen it. So you really
believe that you should do X. Then establish in their experience
that it is impossible for them to do X (at least at this time, in their
present state of development, finances, etc.).
After doing this preparation,
you can put the two together by asking, How is it that you think
that you should do X, when you know that it is impossible? If the preparation
was done thoroughly, this is one of those times when you can almost
see smoke coming out of the client's ears, as the two beliefs collide,
the contradiction becomes apparent, and the should (and
the problem) vanishes.
However,
desire does not presuppose possibility; quite often we desire things
that are not possible. This fact is the source of much human misery,
since desiring something that is not possible is very frustrating. But
this is also the source of human progress, as we are motivated to seek
and discover ways to do what was previously not possible.
Optional
linkage: Some kinds of linkages are not inherent, but learned.
1. In the first of
these, people simply combine MOs sequentially. I have to choose,
is quite different from I want to choose, or I can choose,
(a bit redundant, since choosing presupposes possibility, but it does
reinforce the person's sense of their capability.). People often say,
I want to be able to, or I need to choose, or
I might have to, but there are many other such combinations
that people seldom use, such as, I am capable of not wanting,
or I choose to not have to, and some of these are very empowering.
Of course it is one thing to recognize this kind of possibility, and
quite another to access or create a congruent experience of it. Nevertheless,
recognition of the possibility is a very useful first step toward increasing
choice.
With
four categories of MOs, and including their negations, there are 64
possibilities for these two-step linkages (including the somewhat repetitive
choose to choose, and choose to not choose,
etc.). It is very useful to systematically write them all down, and
experiment with some trivial content, to discover how each one modifies
your experience. Some will seem familiar and sensible, but
the ones that seem strange, or bizarre will be the ones you can learn
the most from, because they stretch your map of what is possible--even
if some of them are not particularly useful. This is a great way to
sensitize yourself to the impact of how you and your clients typically
link MOs, and to experience the impact of the linkages that you seldom
use, or never even consider using. 2.
A second (and very similar) kind of linkage is to link two MOs sequentially,
in an if-then cause-effect chain, such as If I want
to, I can. or If I have to, I won't. Discovering how
a person typically links MOs causally gives you very valuable information
about how their experience is limited, and what kind of situations will
likely be troublesome. These linkages, like most generalizations, are
often uncontextualized, and easily become rather global beliefs that
are applied across a lot of different content and contexts.
Again,
most people typically use certain linkages often, and others not at
all. Many of the less-often used linkages can be very empowering. If
I choose to, I will, If I have to, I desire to. If
I want to, I don't have to.
Of course some of these linkages are much more useful than others. Nevertheless,
if someone uses only a few choices out of 64, that is a pretty severe
limitation in what is possible for them, and experimenting with these
unused possibilities can be very empowering.
It
would be very easy to create a simple written test asking people to
complete a series of sentences like, If I want to, I ......
and then look through the answers for limiting combinations
and significant patterns.
Self/Other:
In the discussion above, we presupposed that the person applied the
MOs to him/herself. If we add another person in relationship, we can
get another 64 combinations, such as, If you want me to, I have
to, or If I demand, you should. The applications for
couple therapy (whether or not the other member of the couple is present)
should be obvious.
Although linkages
of two modal operators are most frequent, a linkage of three is not
uncommon, and even more are possible. If I have to, I can choose
to want to. Here there is an even greater variety of possibilities
(512) and most of us only use a few of them.
It
is a relief to realize that you don't have to memorize all these many
possibilities. Starting with the recognition that these can be very
important, and with some systematic practice to sensitize your perceptions,
you can simply recognize a linkage, and try it on quickly in your own
experience to discover its impact.
With
more than one other person, as in families, it even becomes even more
complicated--and interesting. If he says I have to X, but she
wants Y, I can't do Z. (an additional 512 possibilities here!).
4. What kind of motivation
is indicated by each MO?
Necessity
and desire are the clearest. Desire always pulls us toward the object
of desire. Necessity apparently pushes us toward something, but more
often it actually pushes us away from what will happen if we don't do
it. Of course, much motivation includes both these aspects, but it is
useful to separate them in order to think about them. The MOs that a
client typically uses can alert us to what they are noticing and experiencing,
and what they are deleting from their experience of being motivated.
Possibility
and choice do not indicate any particular motivation. One can choose
possible activities out of either desire or necessity (or both). On
the other hand, if we had no needs or desires, possibility and choice
would be totally irrelevant, so there is always some motivation presupposed
or implied when we use words that refer to possibility and choice.
5. How can each kind
of MO be understood as indicating a specific kind of incongruence?
All
the MOs express what might be called a counterfactual state of affairs.
They all indicate a situation that does not (at the moment) exist, but
that could exist in the future (or can be imagined as happening in the
future, even if it is impossible in reality) so this indicates sequential
incongruence.
If
you have to, it means that you haven't yet. (If you had already done
it. you wouldn't have to.) Even in the past tense, I had to
expresses the situation at the moment of having to, not the subsequent
action. In a repetitive action that one has to do, like breathing, what
one has to do is to take the next breath, not the previous one.
Likewise
if you desire something, you don't have it yet. (If you had it already,
you could enjoy it, but not desire it.)
If
something is possible, that means that it is potential, but not actual.
I can do it is quite different from I have done it.
Of course, having done something is a powerful basis for assuming that
I can do it in the future. This is why it can be so useful to install
a change in the past, so that it is experienced as having already happened.
Some of us used to joke about the human potential movement,
that it was all potential, and very little movement (and some of it
wasn't very human, either!).
At the moment of choosing,
the activity that is chosen has not yet happened. (Even choosing between
things, rather than activities, implies some kind of activity in relation
to them.) In choice there is always an additional incongruity in that
we are simultaneously drawn (or pushed) toward two or more alternatives.
In choosing one, the one that is not chosen is lost, and whatever needs
or desires this alternative would have satisfied have to go unsatisfied,
at least temporarily.
6. What kind of incongruence
is indicated by a person when they use one kind of MO verbally and express
a different one nonverbally?
These
usually indicate a simultaneous incongruence between the conscious (verbal)
words and the unconscious (nonverbal), although a person can also express
the nonverbal sequentially. If a person says, I can do that,
in a whining voice and slumped shoulders, (or they follow the statement
with these nonverbals) it is pretty likely that they don't actually
believe it, and will not actually do it. As with all NLP work, the nonverbal
is often a much better indicator of the unconscious aspects of behavior,
and what is actually going on. As John Grinder used to say, All
words are to be taken as unsubstantiated rumor unless confirmed by nonverbal
behavior. The verbal MO may or may not be a reliable indicator
of the actual MO being experienced. Sensitivity to the nonverbal indicators
of the MO opens us to much more reliable information about the client's
experience.
There
is a useful training exercise we have used for years that can sensitize
trainees to both verbal and nonverbal MOs. In groups of 3, one person
says a sentence using one kind of MO (or its negation) verbally, while
simultaneously expressing a different kind of MO (or its negation) nonverbally.
One of the others in the trio identifies the verbal MO, and the other
the nonverbal MO--and later each of the others identifies both. The
same exercise can be modified by asking the person to say a sentence
with one MO, and then sequentially expressing another MO nonverbally,
to sensitize trainees to this.
7. How it can be useful
to change a person's experience by suggesting replacing one modal operator
with another, and why is it useful?
A
MO, like an accessing cue, is both the result of internal processing,
and also a way to elicit it. Asking a person to say, I won't--
rather than I can't- was one of Fritz Perls' favorite ways
to get people to take more responsibility for the implicit choices that
they made, feel more empowered by recognizing their ability to choose,
opening the way to choosing differently.
Sometimes
changing a MO brings about a congruent change in attitude immediately.
More often a client will experience incongruence. But even then, it
can be a very useful experiment that offers at least a glimpse of an
alternate way of living in the world. The client can try it out, and
find out what it would be like if it were true for him/her. The objections
that arise will provide valuable information about what other aspects
of the person's beliefs need some attention in order to make the change
appropriate and lasting.
8. What MO is operating
in an experience of complete and total congruence?
This is my favorite,
and it is a trick question. Think of a situation in your life when you
experienced total congruence about doing something. When you are totally
congruent, it is possible to, you want to, you choose to, and paradoxically,
you also have to (you really couldn't do anything else!). So the answer
is all of them (or perhaps none of them). Or to put it another way,
which has a rather mystic flavor, it is not a mode of operating, (which
always indicates at least some bias and incongruence), it is just operating,
pure and simple, I am doing, unmodulated by a mode.
9. What
else can you predict about a person's experience when they use a MO?
I asked this open-ended
question in the hope of learning something new. But with only two responses,
I don't have much to report. When education isn't a two-way street,
it's likely to become a dead-end street. One of my favorite quotations
recently is that: None of us is as smart as all of us. Given
the presentation above, what else can you predict now?--or how would
you improve on what I have presented? Enjoy.
**Anchor Point, Vol.
15, No. 1, January, pp. 19-26 |